Download Sweet Sans™ Font by Sweet

Download Sweet Sans™ Font by Sweet

Download Franklin Gothic™ Font by URW++

Download Franklin Gothic™ Font by URW++

Franklin Gothic™ font - designed by bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

Download : http://myfonts.us/TxjGqK

Gallery and Sample : http://myfonts.us/0h96yu

Download Azo Sans™ Font by Rui Abreu

Download Azo Sans™ Font by Rui Abreu

Azo Sans™ font - Released by Rui Abreu and start debut at Jan 10, 2013. Azo Sans™ font designed by Rui Abreu, this font is perfect choice for your design.

Azo Sans is a new sans serif loosely based on the elementary forms of geometry. It is constructed in a geometric manner and inspired by the constructivist typefaces of the 1920’s, but is instilled with a humanistic quality. Azo Sans is full of nuances that soften the strictness of pure geometry, making the typeface more human and pleasant to read in longer body text, while maintaining a sober and rational appearance. Azo Sans comes in six weights from Thin to Black, with a matching cursive italic for every weight.

Download : http://myfonts.us/5VY1XC

Gallery and Sample : http://myfonts.us/gbznNE

Download Helvetica® Neue Pro Font by Linotype

Download Helvetica® Neue Pro Font by Linotype

Download ITC Franklin Gothic™ Font by ITC

Download ITC Franklin Gothic™ Font by ITC

ITC Franklin Gothic™ font - designed by Morris Fuller Benton,Victor Caruso bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

The ITC Franklin Gothic™ family embodies true American grit: it’s square-jawed and strong-armed, yet soft-spoken. If Bruce Springsteen were a typeface, he would be ITC Franklin Gothic. The family suite of typefaces is large and adaptable – and is as well-suited to web content and small screens, as it is to billboards and hard copy display ads.

The ITC Franklin Gothic is a reimagining of Franklin Gothic, a design that dates back to 1902. It retains the personality and character of the original typeface, with only a slight increase in x-height and character width to distinguish it from the first version. Although newer typeface families such as Helvetica®, Univers® and Frutiger® have the same basic proportions and attributes as Franklin Gothic, the similarity ends there. ITC Franklin Gothic retains all the strength and vitality typical of early American sans serif typefaces.

Capitals are wide (typographers would call them “square”), lowercase letters share the proportions and letter shapes of serif typefaces – and character stroke weights echo the serif-styled counterparts in that they have an obvious contrast. For example, the left side of the A is lighter than the right, and the first stroke of the M is lighter than the other three.

While ITC Franklin Gothic is essentially a display design intended for larger size settings, it’s also easy on the eyes in short blocks of text copy. A natural for interactive design, it will bring a subtle, handcrafted quality to pages and screens. Combine ITC Franklin Gothic with an old style or slab serif typeface and you’ll have copy that’s inviting and classic as an old pair of jeans.

The ITC Franklin Gothic family is available as a suite of OpenType® Pro fonts, allowing graphic communicators to use this design while taking advantage of OpenType’s capabilities. OpenType Pro fonts provide for the automatic insertion of small caps and ligatures in addition to offering an extended character set supporting most Central European and many Eastern European languages.

Complete any project by pairing it with Agmena™, ITC Berkeley Old Style™, PMN Caecilia®, Demos® Next, Frutiger® Serif, Joanna® Nova or Malabar™.

Download : http://myfonts.us/9k03u9

Gallery and Sample : http://myfonts.us/F5DGOk

Download Helvetica® Neue Font by Linotype

Download Helvetica® Neue Font by Linotype

Helvetica® Neue font - designed by Edouard Hoffmann,Max Miedinger bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

This typeface, designed by Max Miedinger and other project members at the Haas’sche Schriftgiesserei, has become one of the most famous and popular typefaces in the world, thanks to the marketing strategy of Stempel and Linotype. It forms an integral part of many printers and operating systems. The original letterforms of Helvetica had to be modified for the Linotype system. Over the years, Helvetica was expanded to include many different weights, but these were not coordinated with each other.

In 1983, D. Stempel AG redesigned and digitized the “Neue Helvetica” typeface for Linotype and made it a self-contained font family. Today, this family consists of 51 different font weights.

The original numbering system for the weight designations came from the numbering of the Univers font. The basic font weight, “Helvetica roman”, is at the heart of this numbering system. The designation “55 roman” forms the central point. The first figure of the number describes the stroke thickness: 25 ultra light to 95 extra black. The second figure gives information on the width and orientation of the font: Helvetica 53 extended to Helvetica 57 condensed.

The Neue Helvetica sets new standards in terms of its form and number of variants. It is the quintessential sans serif font, timeless and neutral, and can be used for all types of communication.

Download : http://myfonts.us/jQt2Cu

Gallery and Sample : http://myfonts.us/4sz0PA

Download Museo Sans™ Font by exljbris

Download Museo Sans™ Font by exljbris

Museo Sans™ font - designed by Jos Buivenga bring flexibility and beautiful typefaceThis font was designed for attractive design like magazines and logotypes.

Museo Sans is based on the well-known Museo.

It is a sturdy, low contrast, geometric, highly legible sans serif typeface very well suited for any display and text use.

This OpenType font family offers also support for CE languages and even Esperanto. Besides ligatures, automatic fractions, proportional/tabular lining and old-style figures, numerators, denominators, superiors, and inferiors, Museo Sans also has a ‘case’ feature for case sensitive forms.

Download : http://myfonts.us/rly37K

Gallery and Sample : http://myfonts.us/nvA1FG

Download ITC Avant Garde Gothic® Font by ITC

Download ITC Avant Garde Gothic® Font by ITC

Download Helvetica® Neue LT Std Font by Adobe

Download Helvetica® Neue LT Std Font by Adobe

Helvetica® Neue LT Std font - Say hello to new Helvetica® Neue LT Std font family designed by Max Miedinger, Helvetica® Neue LT Std fonts release at Dec 3, 2007. Helvetica® Neue LT Std is the perfect titling font to complement text faces in magazines, logotypes, etc.

Helvetica grew in popularity throughout the 1960s and 1970s, and more versions of the family were introduced. This led to vast confusion: the same weight is often referred to by two different names, design features often vary from one face to another, and so on.

In the early 1980s, Linotype remedied this situation by redrawing the entire Helvetica family. Differences in alignment were corrected, subtle features were made consistent from one face to another, and all the weights and widths were designed to work together as one family.

This new drawing is called Neue Helvetica (German for New Helvetica), and incorporates an easy-to-use numbering system to identify various styles and weights.

Download : http://myfonts.us/FXivzV

Gallery and Sample : http://myfonts.us/ipBgGy